TARQUIN BILGEN

An early 20th century red lacquer panel, decorated with a Chinese urn holding a spray of flowers, with further foliate decoration to the corners, now mounted in a brass frame with goat hoof feet. In the manner of Maison Bagues.

An exceptional early nineteenth century tric trac table, with unusual marquetry top decorated with sprays of flowers and opposing birds to each side, the reverse of the top covered in green baize for cards, opening to reveal an ebonised backgammon playing surface with white and green stained lozenges. The frieze of the table with further marquetry decoration, each side with a drawer to the right hand side for playing pieces, all supported on tapering legs and terminating in brass sabots.

A pair of overscale ebonised armchairs of Klismos form, with wide generous caned seats, exaggerated scroll arms, and curved backs, all supported on sabre feet.

A fine mid-20th century tole chandelier with eight elongated arms and eight shorter arms. All the arms terminating in brass flowers with serrated petals. The base with opposing decoration, terminating in an acorn finial.

A late 18th century painted French console table, with fluted legs, the pierced foliate frieze with garlands of oakleaves and acorns. Parcel gilded, retaining the original grey marble top.

An early twentieth century Murano glass chandelier, with six candle arms, interspersed with scrolling tendrils with glass droplets.

An unusual Edwardian faux bamboo standard lamp, with cylindrical column supported on a circular base and three bun feet.

A mid-20th century Murano amphora vase, with finely modelled handles and mottled decoration. Now mounted as a lamp with turned patinated brass base.

A 1920s Danish dressing mirror, the triptych frame with arched walnut borders, adjustable central mirror plate, all supported on bun feet.

A fine pair of late nineteenth century black lacquer Japanese tray tops, decorated with gilded foliate arabesques and rectangular lozenges, now mounted on cobham base legs.

A late nineteenth century - early twentieth century cylindrical brass hall lantern of large scale, of Neoclassical form, with brass ball finials throughout, with curved glass panels, with a four arm chandelier element.

A pair of mid twentieth century Murano glass lamps of small scale, made using the rostrato technique to create the textured surface.

An unusual early twentieth century Japanned black lacquer low table base, with inset parquetry oak panels to the top.

An Art Deco chrome table lamp of large scale, the hexagonal column supported on a circular plinth base.

A fine set of twelve pistol grip knives with silver handles and steel blades, six initialled with the letter H.

An early twentieth century inlaid dressing mirror from the region of Hoshiarpur, India, with scrolling crest, and strut to the back.

A pair of finely drawn late nineteenth century huanghuali pedestals or stands, with pierced friezes and horizontal stretchers. The tops inset with panels of burr elm.

A fine late 19th century red cut glass decanter, engraved with vines and grapes throughout and retaining the original faceted and engraved stopper.

A fine early nineteenth century walnut backgammon table, with inset playing surface of box wood and tulip wood, with two opposing drawers for counters, detachable top with baize to the underside for cards, all supported on tapering legs terminating in brass castors.

A late nineteenth century Minton pottery candlestick, modelled in the form of a recumbent dolphin, supported on a circular base and painted in polychrome glaze. Stamped to the base.

A fine pair of late 19th century red spirit decanters, engraved with grapes. Retaining their original stoppers

An unusual scrolling glass sculpture of an octopus, with animated tentacles, the glass with agate colouring.

A twentieth century anthropomorphic South American vessel of large scale, the terracotta vase with geometric sgraffito decorations throughout and sculptural mask relief work, bow converted as a lamp.

A group of three nineteenth century spirit decanters in varying colours, with faceted sides, undulating rims and with faceted cut stoppers. One decanter with abrasion to the rim.

A pair of turquoise art pottery vases of ovoid form, with brown slip decoration throughout.

A pair of midcentury mahogany and brass lamps, of torpedo form, the mahogany interspersed with brass banding, supported on circular bases.

A mid century wrought iron tripod lamp, with beaten metal upright, supported on three scrolling feet. After Gilbert Poillerat.

A pair of late nineteenth century cut glass rectangular decanters with stoppers, with engraved foliate decoration, retaining the original enamel labels to the necks.

A mid-century Maison Jansen table lamp of Empire style with arrows mounted on a cylindrical base.

A mid-century circular mirror with border of interlocking gadrooned c scrolls.

A mid-century Italian vase with speckled glaze throughout, of bulbous form.

An early twentieth century mercury glass vase of large scale, with a gadrooned body, two handles, and a tapering neck.

A mid nineteenth century French bureau plat of good scale, in mahogany with kingwood veneer crossbanding, with brown leather writing surface with gilt tooling to the border, opening with four drawers to the front, with brass escutcheons and steel and brass key. All supported on four fluted and tapering legs, terminating in brass sabots.

A large, late nineteenth century neoclassical tôleware and wrought iron chandelier, the central stem in the form of a flower-filled urn, supporting six scrolling arms hung with swags of husks and with urn-shaped nozzles with candle fittings.

A late nineteenth century hanging light of an unusually large scale, with margins of wave design, mounted with brass fittings.

A pair of Louis Philippe style bronze and Ormolu wall sconces of Colza design, the flared, patinated body below an ormolu corona of stylised leaves surmounted by flambé, supporting two horn-shaped branches with ormolu collars.

An Anglo Indian ebonised standard lamp, with twisted stem, all supported on an octagonal base with ball feet.

An unusual pair of ebonised wood art deco plinths with geometric feet and details to the tops.

A William IV style square frame sofa raised on short turned legs in either mahogany, oak, or walnut, and with brass castors. The sofa with a long, loose swap cushion of feather/down and float buttons to the back. Can be upholstered in fabric of client’s choice.

A mid nineteenth century French bureau plat of good scale, in mahogany with kingwood veneer crossbanding, with brown leather writing surface with gilt tooling to the border, opening with four drawers to the front, with brass escutcheons and steel and brass key. All supported on four fluted and tapering legs, terminating in brass sabots.

A charming ceramic bowl, hand painted with pear and leaf decoration to the interior, with Verdigris glaze to the exterior.

A fine arts and crafts polished steel, mirrored girandole, with scroll decoration throughout.

A fine mid eighteenth century mahogany occasional table, crossbanded in satinwood, all supported on a splayed tripod base, with legs terminating in brass castors.

A pair of midcentury porcupine vases of large scale in amber glass.

A pair of late nineteenth century Spanish oak and leather hall chairs, with overscale brass studs to the seat and back.

An unusual early 20th century turquoise vase with splatter glaze in the manner of the pierre fronds factory.

A midcentury portoro table lamp with a series of balls of diminishing sizes.

An early twentieth century glass vase decorated in the Art Deco manner, of globular form.

An unusual art deco table lamp with a spiral perspex column and copper base and neck.

A mid-twentieth century atomic style standard lamp with a crystal ball mounted at the top, on a flared base.

A pair of late 19th century Bristol blue oil lamps supported on turned blue bases now as lamps.

A late nineteenth century arts and crafts brass and polished steel standard lamp with a tripod base and coiled decoration.

An unusual mid-twentieth century Murano vase in uranium glass, of large gourd form, with a gadrooned surface.

An unusual glass shard lamp in the manner of Jean Michel Frank, paired with a rattan lampshade.

A pair of nineteenth century French fauteuils of generous scale, the walnut frames with curved backs and cabriole legs, with naturalistic carving to the tops and seat rails, now upholstered in a yellow strié fabric.

A small art nouveau lamp of wrought iron with a pink glass shade.